Gilje nació en Bay Ridge,
Brooklyn en 1945. Recibió su BFA en el City College of New York y se formó como
conservadora en el Museo di Capodimonte en Nápoles, Italia. Gilje fue aprendiz
en Roma con el restaurador de pinturas antiguas, Antonio Demata de 1966 a 1968,
continuando su aprendizaje de 1968 a 1972 en el Museo de Capodimonte en
Nápoles.
Obras en colecciones de museos:
National Portrait
Gallery, Smithsonian,Washington, D.C.
Addison Gallery of
American Art, Phillips Academy, Andover, MA
Musée Ingres, Louvre
Museum, Montauban, France
The Granary,
Collection of Melva Bucksbaum and Raymond Learsy, Sharon, CT
Joslyn Art Museum,
Omaha, NE
Weatherspoon Art
Museum, University of North Carolina , Greensboro, NC
National Museum of
Women in the Arts, Washington, D.C.
Yale University Art
Gallery, New Haven, CT
Williams College
Museum of Art, Williamstown, Massachusetts
Hood Museum of Art,
Dartmouth College, Hanover, NH
The Ulrich Museum of
Art, Wichita State University, Wichita, KS
Bass Museum, Miami,
FL
Exposiciones individuals:
2015 Hostetter Arts
Center, “Kindred Spirits”, with artist Robert Lobe, Basking
Ridge, NJ (Nov.
2-Dec. 9, 2015)
2015 Grounds for
Sculpture, “Robert Lobe: In the Forest Drawn of Metal Featuring
Forest Projects”,
Collaborative Works with Robert Lobe and Kathleen Gilje,
Hamilton, NJ (April
18 – Jan 17, 2016)
2014 “Revised and
Restored,” Flint Institute of Arts, May 3- July, Flint, MI
“Kathleen Gilje,”
Francis Naumann Fine Art, Jan 31st-March 8th, New York, NY
2013 “Revised and
Restored,” Bruce Museum, May 11-Sept 9, 2013, Catalogue,
Essays by Peter
Sutton, John Yau, Linda Nochlin, Robert Rosenblum, interview
by Francis Naumann,
Greenwich, CT
2009 “Kathleen Gilje:
48 Portraits, Sargent’s Women, Restored,” Francis Naumann
Fine Art, Essay by
John Yau, New York, NY, February 26- April 10
2006 “Curators,
Critics and Connoisseurs of Modern and Fine Art,” Francis Naumann
Fine Art, catalogue
by Robert Rosenblum, New York, NY, April 5 – May 24
“Likeness and Beyond:
Portraits,” Texas Gallery, Houston, TX, January 24 –
February 25
2005 “New Work,
Kathleen Gilje”, Doug Udell Gallery, Vancouver, Canada, April 2 -
16
“New Work, Kathleen
Gilje”, Doug Udell Gallery, Edmonton, Canada, March 15
- 29
2003 “Susanna and the
Elders, Restored” The Hood Museum, Dartmouth College,
NH, (April 20-Oct. 5)
2002-
2003 “Kathleen
Gilje/Robert Lobe,” Texas Gallery, Houston, TX (Dec. - Jan.)
2001-
2002 “Seeing Through
the Past: On Kathleen Gilje’s Susanna and the Elders
Restored”, The
National Museum of Women in the Arts”, Washington D.C. (18
Oct. 2001- 21 Jan.
2002) catalog essay by Laura Cottingham,
2001 Gorney Bravin +
Lee, New York, NY (7 Sept. - 6 Oct.)
2000 "The Ingres
Drawings: Restored," Bernard Toale Gallery, Nov.1 – 25, Boston,
MA
"The Inner
Portrait," Gorney Bravin + Lee, Project room: Jan 8 – Feb 5, New
York, NY
1999 “Recovering Lost
Fictions: Caravaggio’s Musicians,” Collaboration with Joseph
Grigely, Revolution
Gallery, Oct.-Nov. (cat.), Detroit, MI
1998 “Recovering Lost
Fictions: Caravaggio’s Musicians”(collaboration with Joseph
Grigely) Bravin Post
Lee Gallery, Feb. (cat.), New York, NY
1997 “Artworks:
Kathleen Gilje, Contemporary Restorations,” Williams College Art
Museum, Williamstown,
MA April-Aug. catalogue by Amy Oliver
“Recovering Lost Fictions: Caravaggio’s
Musicians” (collaboration with Joseph
Grigely) The List
Visual Arts Center at MIT, Oct-Dec. (cat.), Cambridge, MA
“Restoring New
Meaning,” Bernard Toale Gallery, Oct., Boston, MA;
1996 Bravin Post Lee
Gallery, Sept. - Oct., New York, NY
1995 Bernard Toale
Gallery, Oct., Boston, MA
1989 University of
Rochester, Hartnett Gallery, Rochester, NY
1982 Siegal
Contemporary Art, New York, NY
1978 55 Mercer
Street, New York, NY
Fuentes:
Nota: La propiedad intelectual de las imágenes que aparecen en este blog
corresponde a sus autores y a quienes éstos las hayan cedido. El único objetivo
de este sitio es divulgar el conocimiento de estos pintores, a los que admiro,
y que otras personas disfruten contemplando sus obras.
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